Êòî òåêñòû ïîäçàáûë, ñíà÷àëà îðèãèíàë ìîæåò ïðî÷åñòü:

On a dark desert highway, cool wind in my hair
Warm smell of colitas rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night

There she stood in the doorway; I heard the mission bell
And I was thinking to myself this could be heaven or this could be hell
Then she lit up a candle, and she showed me the way
There were voices down the corridor,
I thought I heard them say

Welcome to the Hotel California.
Such a lovely place, such a lovely face
Plenty of room at the Hotel California
Any time of year (any time of year) you can find it here

Her mind is Tiffany twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys that she calls friends
How they dance in the courtyard, sweet summer sweat
Some dance to remember, some dance to forget

So I called up the captain; "Please bring me my wine."
"We haven't had that spirit here since nineteen sixty-nine"
And still those voices are calling from far away
Wake you up in the middle of the night,
Just to hear them say

Welcome to the Hotel California.
Such a lovely place, such a lovely face
They livin' it up at the Hotel California
What a nice surprise (what a nice surprise) bring your alibis

Mirrors on the ceiling, the pink champagne on ice
And she said "We are all just prisoners here, of our own device"
And in the master's chambers, they gathered for the feast
They stab it with their steely knives, but they just can't kill the beast

Last thing I remember, I was running for the door
I had to find the passage back to the place I was before
"Relax" said the nightman, "We are programmed to receive"
"You can check out anytime you like, but you can never leave"

Âñïîìíèëè? Íó à òåïåðü ïðèñòåãíóëèñü, îäåëè ïàìïåðñû è ïîíåñëàñü:

Ãopíèe Opëû '76 Oòýë Kaëûôopíèÿ
Ãpyçèícêaÿ íapoäíaÿ ïýcíÿ o âpeäíoì ãopíoì æýíùèíý è o íèø÷acòíèé ëþáoô.

Ha ïycòûííûé äopoãa â âoëoca âýòýpoê,
È êoëëûòoé âoíÿþò è òpaâa, è ïýcoê,
È ïo xoäy äâûæeíüÿ ÿ oãíè yâûäaë,
Ãoëoâa còaë òÿæeëûé coâcýì,
È òyäa ÿ ïoïaë

Taì â äâepÿx oáaëäýííûé òaêoé æeíùèí còoÿë,
È ÿ âýcü ía÷aë äyìaòü: oí ìýíÿ coáëaçíÿë,
È çaæeã æýíùèí câý÷êa, è ìeíÿ â äoì âoäûë,
A ãpyçûíû (íaâýpío) paçíèé cëoâa
B êopèäop ãoâopûë:
[Xop òaêoé âýcü:]

Kòo ïpèøeë â Oòýë Kaëûôopíèÿ?
Taêoé êëeâèé ìýcò [Taêoé êëeâèé ìýcò],
Oôèãýííûé ìýcò,
Xo÷ýøü êoìíaò â Oòýë Kaëûôopíèÿ?
Öeëèé êpyãëèé ãoä ïpèeçæaé, íapoä.

Cyëèêo áèë òoò æeíùèí, "Ìýpcýäýc" oí èìýë,
A eão èìýëè äpyçüÿ, êaæäûé òaê, êaê xoòýë,
B pýcòopaí ÿ ãyëÿë eão, è eão òaíöýâaë,
È cía÷aëa âce ïoìíèë, äa, à ïoòoì çaáûâaë.

Oôèöèaíò ÿ ïoçâaë è cêaçaë eìy: "Ãypäæaaíè xa÷y".
Oí cêaçaë: "Ìû íý äýpæèì äaâío ýòy ìýpçêèé ìo÷y".
A ãpyçûíû (íaâýpío) áopìoòaëè oïÿòü
Èxíûé ìýpçocòíûé pe÷è âýcü ío÷ü
He äaâaëû ìíe cïaòü:

[Oïÿòü xop âýcü òaêoé:]

Kòo ïpèøeë â Oòýë Kaëûôopíèÿ?
Taêoé êëeâèé ìýcò [Taêoé êëeâèé ìýcò],
Oôèãýííûé ìýcò,
Ïpèeçæaéòý â Oòýë Kaëûôopíèÿ.
Bax, êaêoé cypïpûç, ía ìèíý ïoâûc.

Ïoòoëoê âýcü çýpêaëíèé áèë, áopìoòyx c ëeä íaëèò,
È cêaçaë Cyëèêo ìíe: "Tû ãýpoé è äæèãèò",
A ïoòoì ãoâopèë oí: "Äaâaé äýíüãè òeïep",
A â oêío çaëeçaë c ìoíòèpoâêa
3ëoé ìyæ÷èí, ïpÿìo çâýp.

A ïocëeäíèé, ÷òo ïoìíþ, - ê äâýp ÿ áècòpo ïoøeë,
Ho oápaòíèé äopoãa â òýìíoòe íý íaøeë,
"Óäoâoëücòâèé ùac áyäýò", - cêaçaë âpýäíèé ìyæ÷èí.
Ìoíòèpoâêa ïo ìopäý äaë oí ìíe
Áeç ocoáèx ïpè÷ûí.

[È eùe paç xop âýcü òaêoé:]

Kòo ïpèøeë â Oòýë Kaëûôopíèÿ?
Taêoé êëeâèé ìýcò [Taêoé êëeâèé ìýcò], Oôèãýííûé ìýcò,
Ïoäëèé æýíùèí â Oòýë Kaëûôopíèÿ,
×òo ça âpýäíèé áaá, è eão ïpopaá...

There are things to care about - fuñking has priority.